In 1905, a man travels to a remote island in search of his missing sister who has been kidnapped by a mysterious religious cult.

In a small North Korean village near the border of China, there are believers who get together in an underground church, away from the eyes of the persecuting government. When the missionary from China, their only support route, is cut off, things begin to get very tense. Chulho, who had been arrested along with his wife, returns. After losing his wife in the interrogations, Chulho had been released and unseen for 2 years before coming back to his home, claiming that he had been commanded by God to lead the believers across the border and into South Korea. The brothers wonder if Chulho is trustworthy, and whether it is the right thing to do to leave their homeland.

After his happy life spins out of control, a preacher from Texas changes his name, goes to Louisiana and starts preaching on the radio.

The film portrays Saint Peter reflecting on his time with Jesus and his fellow Apostles during his final imprisonment in Rome. In particular, Peter attempts to convert one of his jailers, Martinian, by relating the life, teachings, and sacrifice of Jesus.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.